Dismembering 'The Forest'
summary
Detailed post-mortem of The Forest explains concrete choices: audio pipeline uses FMOD + Unity, editing moves into Reaper to batch-render assets, and the project ships about 8,000 assets including roughly 2,000 vocal performances. Built systems include a tree-priority occlusion algorithm for layered wind/leaf emitters, spline-driven dual emitters for rivers and waterfalls, an animation-test scene and an audiovisual debug visualiser; these tools meaningfully reduce iteration time, though multiplayer sound sync and VCS of large binaries remain painful.
AI-written summary · about
chapters (7)
- 0:00Introduction and project overview
- 2:28Design philosophy and goals
- 10:06Ambient sound design
- 26:08Mutant vocalization workflows
- 36:22Development tools and debugging
- 42:51Technical challenges and workflows
- 53:04Q&A and final thoughts
related talks
46mProcedural Foley for a Cinematic Sound.
01h 03mOne Man Band AAAudio Department
38mFrom Sounds of Chilling Winter to Voices in Outer Space - Audio Behind Frostpunk 2 & …
58mVFX Workflow for Real-Time Production with Photogrammetry, Alembic, and Unity
42mSubtlety & Nuance: A Foley Masterclass & Live Demonstration.
57mThe Elements, Language, and Integration of Music Storytelling in Games
49mHow Rick Astley saved the sound in Way of The Hunter
47mThe Visual Technology of Gears 5