Getting real with virtual reality
summary
UN virtual reality unit builds short immersive documentaries like Clouds Over Sidra (a 12‑year‑old in Zaatari camp) and a four‑minute cut shown in 40 countries with face‑to‑face fundraisers, which the team measures as doubled donations for UNICEF. Work emphasizes contextual storytelling over shock, uses headset rigs plus sound and camera‑height tricks to produce presence, and deploys films such as My Mother's Wing in Tel Aviv streets for tracked peacebuilding effects rather than mere spectacle.
AI-written summary · about
chapters (6)
- 0:00Introduction to VR at UN
- 1:06Evolution of media with pain
- 3:38Why showing pain isn't enough
- 7:34VR storytelling approach
- 11:54VR impact at the UN
- 13:40Presence in virtual reality
related talks
25mVR and Social Impact
31mVR Journalism: 360 Storytelling and the New Era of Reporting
43mWhat You Need To Know About Using Virtual Reality in Events
47mKeynote: How VR, AR, MR and XR are changing the world
45mThe rise and fall and rise of Virtual Reality
34mMixed Reality for Social Good
33mCinematic Virtual Reality with 360 degree movies
30mFilm Festivals and VR: Sundance Institute and the Future of Interactive Media
