Looks at Next Steps for UHD/HDR Production
summary
Argues production must stop treating 4K/HDR as a secondary layer and instead build native 4K production across camera counts, switching and replay, not just isolated feeds. Calls for an end-to-end HDR workflow including on-set color pipelines, real-time HDR grading, increased ingest and storage, and transport capacity to carry full-resolution HDR signals. Emphasizes testing whether the redesigned live chain actually delivers a viewer-visible improvement before broad rollout.
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