Permanent Art Collections In The Blockchain Age
summary
Gallery Charlotte claims NFTs finally put digital art on the map by adding provenance, transferable ownership and secondary-market royalties; a curated NFT marketplace launches 29 October selling in euros and Tez (Tezos) with a small percentage to Planet Mare and gallery exhibitions that show the works on quality screens and projections. The stack uses Tezos minting for low-energy proofs, a curated selection process rather than an open feed, and mixed-format drops (purely digital and digital-plus-physical), and the model is already selling in-gallery and online.
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chapters (21)
- 0:00Intro
- 0:53Personal Art Journey
- 2:36What is Digital Art
- 4:31Educating people about Digital Art
- 6:32How does the conversation differ between an institutional partner and a spectator
- 8:31How did Gallery Shallow first start to incorporate blockchain art
- 9:50First impression of blockchain art
- 12:14How did you approach sourcing artists
- 14:19Are there any resistance to adopting blockchain technology
- 16:03How does this conversation map onto the institutional side
- 18:40Gallery Charlottes NFT Marketplace
- 20:29Gallery Charlottes Marketplace Design
- 22:10Why Tezos
- 23:16Sourcing Artists
- 25:03Future of Gallery Charlo
- 26:55Role of Permanent Art Collections
- 29:00Difference between Permanent Art Collections and NFTs
- 30:38Displaying Digital Art
- 32:09Authority
- 34:26Diversity
- 40:21The future of art
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