How To Deal With The New? Digital In The Arts
summary
Claims that matter: composers use computers and iPads to write and perform, an open‑source project called Viki piano net lets anyone edit a live piano score, and classical concerts face aging audiences (average visitor ~60 in Germany, under‑30s <50%). Electronic musicians spend 3–5 hours sourcing ~15 tracks for a one‑hour DJ set, home production software plus illegal music downloading and Radio Pirate promotion democratize distribution, nine‑hour all‑night sets still exist but attention spans favor condensed festival one‑hour slots. Projects link books to digital video access.
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chapters (11)
- 0:00Digital arts in Serbia
- 1:32Panelists and backgrounds
- 5:02Independent curators' roles
- 7:40Classical music and digital tools
- 10:56DJing and digital production
- 16:00Algorithms versus art
- 18:32Digitizing visual arts
- 21:07Aging audiences in music
- 22:15Attention spans in music
- 24:02Future projects and democratization
- 27:36Closing remarks and Q&A
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