From Fluxus to Functional A Journey Through Interactive Art
summary
Maps Fluxus practices to present day Clojure art with concrete examples and tools, arguing medium determines merit. Shows Aaron painting machine (Harold Cohen) as a physical painter, cites Duchamp ready‑mades like Painting to Hammer and Nail and Nam June Paik’s Participation TV, and presents live performances by REPL Electric and Meta-ex built with Clojure, Overtone and shaders as live-coded audio/visual performance. Claims interactive code plus reuse of Fluxus intermedia yields reproducible yet site-dependent works and treats code libraries (fluxes) as modern instruments.
AI-written summary · about
chapters (7)
- 0:00Intro
- 0:34What is art
- 1:20Is this art
- 3:03What is it
- 8:11Dada
- 12:44Lets Disco Over
- 17:53Art in the Age of Mechanical Reproduction
related talks
32mCode goes in, Art comes out
34mQuil and Field: Using Clojure for Algorithmic Digital Art
35mProgramming What Cannot Be Programmed: Aesthetics and Narrative
49mA whirlwind tour of functional programming in Clojure
38mCreative Clojure
25mExploring the Universal Library
40mFun with Functional Programming in Clojure
01h 02mSolving Problems the Clojure Way
